A courtesan dying of consumption – can you think of a better subject for an opera?
Who was the composer?
Giuseppi Verdi – the most famous of Italian opera composers.
Verdi was born in Italy to a poor family. By the time he died, his fame was such that more than 200,000 people lined the streets at his funeral to pay him tribute.
How do you know you’re listening to Verdi? Verdi wrote big, beautiful melodies and expressive, dramatic orchestral music. As a composer, he was always seeking out strong subjects, demanding his librettists create realistic, human characterisations, even when the characters are in extraordinary situations.
He had a special gift for taking a character marginalised by society and putting them centre stage – whether it be a courtesan in La Traviata, a hunch-backed jester in Rigoletto or an enslaved Ethiopian princess in Aida.
What happens in the story?
Beautiful and carefree, the courtesan Violetta is the life of every party. But behind that dazzling smile, she knows that she is dying. Unaware of her troubles, the shy Alfredo is in love. He declares his feelings, and Violetta is torn: is the promise of true love worth giving up her life of freedom?
She takes a chance on a life with Alfredo living in the country, and it seems she could be happy. But while Alfredo is away, his father Germont arrives. He demands the impossible: Violetta leave Alfredo, for the sake of his family’s reputation.
Devastated, Violetta agrees, and writes Alfredo a letter of farewell, concealing her love.
Alfredo is heartbroken and furious, and coming face to face with her at a ball, he delivers the ultimate insult.
Will Alfredo learn of Violetta’s undying love before she succumbs to her illness?
Who are the main characters?
Violetta – a popular courtesan
Alfredo Germont – her young admirer
Giorgio Germont – Alfredo’s father, and protector of the family name
What’s the big hit?
The Brindisi – a drinking song to get any party started
Sempre Libera – an ode to freedom
Something to listen out for
– The delicate, high violin theme at the beginning of the prelude sounds beautiful and fragile – a symbol of Violetta’s consumption. You hear the theme again in the violins in Act III, when Violetta is very ill.
– Verdi was a master of conveying emotion through melody and instrument choice. Listen to how the mellow clarinet and cellos reflect Germont’s grief as he sings ‘Piangi, piangi’ to the devastated Violetta in Act II.
For more, watch our listening guide.
This production is …?
A vibrant period production directed by Elijah Moshinsky, with costume and set designs drawn from detailed 19th century impressionist paintings.
The rich sets create a vivid picture of life in the Paris salons of the 19th century.
A little history
It was in Paris that Verdi first saw the Dumas play ‘The Lady of the Camellias’. The composer was inspired – at last, a ‘provocative idea’. He wrote to his librettist Francesco Piave “I don’t want any of those everyday subjects that one can find by the hundreds.” Verdi believed the story of the fallen woman was a “subject for our own age”, and inspired, he wrote the score in just under a month – while working on Il Trovatore.
He dearly wished to set the opera in contemporary times, that the story might confront a modern audience. However, the 1853 premiere in Venice was not well received. To believe that the overweight and middle-aged soprano cast in the title role was dying of consumption was a step too far for the audience. It seems the contemporary setting was also a mistake.
Verdi wrote to a friend, “La Traviata last night a failure. Was the fault mine, or the singers? Time will tell.”
The composer refused to allow another performance unless he could be sure of a talented cast. It took nearly a year before the opera was performed again in Venice. With a different cast, and a historical setting, La Traviata was an immense success. Today it is one of the most-performed operas in the world. Perhaps it is Verdi’s beautiful melodies, but perhaps it also comes down to that human longing – to see characters on stage that feel real.
- La Traviata has inspired plenty of popular culture: think Moulin Rouge or Pretty Woman.
- In fact, when Edward takes Vivian to the opera in Pretty Woman, they see La Traviata. When he drives up to serenade her at the end of the movie, he plays a piece from the opera at top volume from his limo.
- Consumption causes its victims to waste away – so casting an overweight soprano in the lead role spelled disaster for the opera’s premiere.
- The inspiration for Violetta was a real woman, Marie Duplessis, a Parisian courtesan who passed away just five years before La Traviata opened in Venice. Dumas had been one of her lovers. When she died of tuberculosis at age 23, all of Paris mourned!